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At the age of twelve, Lymon heard a local doo-wop group known as the Coupe De Villes at a school talent show. He befriended their lead singer, Herman Santiago, and eventually became a member of the group, now calling itself both The Ermines and The Premiers. One day in 1955, a neighbor gave The Premiers
several love letters that had been written to him by his girlfriend, with
the hopes that he could give the boys inspiration to write their own
songs. Merchant and Santiago adapted one of the letters into a song called
"Why Do Birds Sing So Gay?" With Lymon's input, the song became
"Why Do Fools Fall in Love". The Premiers, now calling
themselves The Teenagers, got their first shot at fame after impressing
Richard Barrett, a singer with The Valentines. Barrett in turn got the
group an audition with record producer George Goldner. On the day of Goldner signed the quintet to Gee Records, and "Why Do Fools Fall in Love" became their first single in January 1956. The single peaked at #6 on the Billboard pop singles chart, and topped the Billboard R&B singles chart for five weeks. Five other R&B top ten singles followed over the next year-plus: "I Want You To Be My Girl", "I Promise To Remember", "Who Can Explain?", "Out in the Cold Again", and "The ABC's of Love." "I'm Not A Juvenile Delinquent" and "Baby Baby" were also popular Teenagers releases. "I Want You To Be My Girl" gave the band its second pop hit, reaching #13 on the national Billboard Hot 100 chart. "Goody Goody" was a #20 pop hit, but did not appear on the R&B chart. The Teenagers placed two other singles in the lower half of the pop chart.
The group's success made Frankie Lymon the first African-American . In March 1956, the Teenagers began appearing with pioneering rock and roll DJ Alan Freed's rock-and-roll revues, performing alongside acts such as Little Richard, The Platters, and Bill Haley and His Comets. The group also appeared in two of Freed's early rock and roll films, Rock, Rock, Rock (1956) and Mister Rock and Roll (1957), and performed on Freed's radio and television programs. While touring with the Platters, Lymon befriended that group's sole female singer, Zola Taylor, whom he later began a romantic relationship with. In early 1957, Lymon and the Teenagers split apart while on a tour of Europe. During an engagement at the London Palladium, Goldner began pushing Lymon as a solo act, giving him solo spots in the show. Lymon began performing with backing from pre-recorded tapes. The group's last single, "Goody Goody" backed with "Creation of Love," initially retained the Frankie Lymon & the Teenagers credit, but were actually solo recordings (with backing by session singers). Lymon had officially departed from the group by September 1957; an in-progress studio album called Frankie Lymon and the Teenagers at the London Pallladium was instead issued as a Lymon solo release. |
As a solo artist, Lymon was not nearly as successful
as he was with the Teenagers. Beginning with his second solo release,
"My Girl", Lymon was moved to Roulette Records. On a July 19,
1957 episode of Freed's live ABC TV show The Big Beat, Lymon began dancing
with a white teenage girl while performing. His actions caused a scandal,
particularly among Southern TV station owners, and The Big Beat was
subsequently canceled.
Lymon's slowly tapering sales fell sharply after his voice changed and he lost his signature soprano voice. Adopting a falsetto, Lymon carried on. His highest charting solo hit was a cover of Thurston Harris' "Little Bitty Pretty One", which peaked at number 58 on the Hot 100 pop chart in 1960, and which had actually been recorded in 1957. Addicted to heroin since age 15, Lymon fell further into his habit, and his performing career went into decline. According to Lymon in an interview with Ebony in 1967, he said that he was first introduced to heroin by a woman twice his age, when he was 15. In 1961, Roulette, now run by Morris Levy, ended their contract with Lymon and the singer entered a drug rehabilitation program. After losing Lymon, the Teenagers went through a string of replacement singers, the first of whom was Lymon's immediate successor Billy Lobrano. In 1960, Howard Kenny Bobo sang lead on "Tonight's The Night" with the Teenagers; later that year, Johnny Houston sang lead on 2 songs. The Teenagers, who had been moved by Morris Levy onto End Records, were released from their contract in 1961. The Teenagers briefly reunited with Lymon in 1965, without success Over the next four years, Lymon struggled through short-lived deals with 20th Century Fox Records and Columbia Records. Lymon began a relationship with Elizabeth Waters, who became his first wife in January 1964. Lymon's marriage to Ms. Waters was not legal in the beginning, due to her still being legally married to her first husband. However, they supposedly became married by way of common law marriage eventually. Lymon's marriage failed, and he moved to Los Angeles in the mid-1960s, where he began a romantic relationship with Zola Taylor. He appeared at the Apollo as part of a revue, adding an extended tap dance number. His final television performance was on Hollywood a Go-Go in 1965, where the then twenty-two year old singer lip-synched to the recording of his thirteen-year-old self singing "Why Do Fools Fall in Love," which was a bold and courageous step toward revitalizing his career. Taylor claimed to have married Lymon in Mexico in 1965, although their relationship ended several months later because of Lymon's drug habits. Though, Lymon has been known to say that their marriage was a publicity stunt. Taylor could produce no legal documentation of their marriage. The same year, Lymon was drafted into the United States Army, and stationed at Fort Gordon, Georgia near Augusta, Georgia for training. While in the Augusta area, Lymon met and fell in love with Elmira Eagle, a schoolteacher at Hornsby Elementary in Augusta. The two were wed in June 1967, and Lymon repeatedly went AWOL to secure club dates at small Southern clubs. Dishonorably discharged from the Army, Lymon moved into his wife's home and continued to perform sporadically. Traveling to New York in 1968, manager Sam Bray signed Lymon to his Big Apple label, and the singer returned to recording. Roulette Records expressed interest in releasing Lymon's records in conjunction with Big Apple and scheduled a recording session for February 28. Lymon, staying at his grandmother's house in Harlem where he had grown up, celebrated his good fortune by taking heroin -- he had remained clean ever since entering the Army three years prior. On February 27, 1968, Lymon was found dead from a heroin overdose. He was twenty-five years old. He was buried at Saint Raymond's Cemetery in the Throggs Neck section of The Bronx in New York. "I'm Sorry" and "Seabreeze", the two sides Lymon had recorded for Big Apple before his death, were released later in the year. "Seabreeze" showcased the beauty of his mature sound along with the vocal skills and techniques that made him famous.
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