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THE
LEMON PIPERS
The
members of this five-piece psychedelic band were Ivan Browne on rhythm guitar and lead vocals,
Bill Bartlett on lead guitar, R.G. Nave on keyboards, Steve Walmsley on
bass, and Bill Albaugh on drums. Browne had been involved in music for
some time before the Lemon Pipers came to be, starting his first band Ivan
& the Sabers in 1961.
By 1964, the group had become regionally popular in Ohio, and opened for
some of the well-known recording artists of the day. In 1966, Browne left
the Sabers and replaced Tony in Tony & the Bandits. In time, their
name would be changed to the Lemon Pipers.
Their debut release was "Quiet Please/Monaural 78" on the
independent
Carol label. “Quiet Please” was a heavy garage recording that bore
obvious similarities to the Eddie Cochran classic “Summertime Blues,”
but was nevertheless entertaining, featuring smoldering Bill Bartlett
guitar. In 1967, producers Jerry Kasenetz and Jeff Katz were looking to
augment their Super K Productions stable with talent. They decided to look
in central Ohio, where they had previously found commercial success on
Laurie Records with The Music Explosion and "Little Bit O'
Soul." (The song peaked nationally at #2 in 1967.) In Oxford, OH they
discovered the Lemon Pipers, who were willing to follow the producers back
to New York.
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In the beginning, the
Pipers were given complete artistic control on the condition that they
made hits. The band released their first Buddha single, a Bartlett penned
original called "Turn Around and Take a Look." The song did not
have the right commercial formula, and barely cracked the charts, reaching
only #132. This did not sit well with the protuberant record company, who
expected hits at all costs. Next, bigwigs Bob Reno and Neil Bogart heard a
demo called "Green Tambourine" that caught their attention.
Songwriter Shelly Pinz had written the lyrics after reading an article
about a one-man band that performed outside a bank in England. Producer
and composer Paul Leka set the lyrics to music, and created the demo tape.
Bogart and Reno then sent Leka to play the tape for the Lemon Pipers. They
said that if the Pipers refused to record it, the band would be dropped by
Buddha. Initially, when he played the song, the Lemon Pipers refused to
record it, but they would accept when Leka reluctantly revealed the
label's intentions. With solid promotion and production, "Green
Tambourine" reached #1 on the national charts by February of 1968.
Despite the strong sales
of "Green Tambourine," further significant chart success was not
to be. The follow up single "Rice is Nice" was certainly the
most saccharine of the Leka/Pinz compositions crafted for the group, and
only made #46. The Green Tambourine album showed the Pipers in a few
different styles. While around half of the songs were in the psychedelic
pop style of "Green Tambourine," the group also covered
folk-rock with “Ask Me If I Care,” explored heavy blues-rock with
“Fifty Year Void,” and probed the dimensions of space rock in
“Through With You.” This latter category of psychedelic improvisation
was to be explored further on the group’s subsequent album Jungle
Marmalade, which would wind up as the band's strongest album.
The next single was the Leka/Pinz creation
"Jelly Jungle (of Orange Marmalade)." Though a quality single,
it stalled at #51. There was no more chart activity despite other fine
singles, including a cover of the Goffin/King composition “I Was Not
Born to Follow.” Despite not fully being cohesive, the group’s second
album contained the Lemon Pipers most accomplished original material. In
regards to the Lemon Pipers career as a recording unit, it could be argued
that their albums lacked consistency, that is, the group was often forced
to record material that was in opposition to their actual sound. As a live
quintet, the Pipers favored a harder rock style epitomized by some of the
band's original material. Even so, several of the Leka/Pinz songs were
enjoyable lightweight forays into a psychedelic pop dream world. After
only these two albums, the Lemon Pipers retired their name in 1969. All in
all, the Lemon Pipers deserve to be heard beyond their major hit song.
They certainly had a diverse body of work in under two years of recording
activity, and their recordings are worthy of study.
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