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Louis Armstrong

1901 - 1971

 

Louis Armstrong was possibly the greatest jazz musician of all time, certainly the most influential of them all. Fellow musicians called him stachelmouthbecause of his huge, wide grin, later, shortened to Sachmo. Louis Daniel Armstrong was born on August 4, 1901, in the Storyville District of New Orleans. It was a rough and tumble neighbourhood, populated by street toughs and so crowded that one could barely find standing room. His father was a labourer who abandoned the family soon after Louis birth. His mother was a part-time prostitute.

His amazing technical abilities, spontaneity, and amazingly quick, inventive, musical mind still dominate Jazz to this day. Only Charlie Parker comes close to having as much influence on the history of Jazz as Louis Armstrong did. Perhaps if he hadnt fired a pistol into the air to celebrate New Year's 1913, Armstrong might have never been a professional musician at all. Then a 12-year-old boy he was arrested by a very annoyed police officer and sent to the New Orleans Colored Waifs' Home for Boys to ponder his infamy.

Fortunately for Louis, and the musical world as well, he fell under the influence of Peter Davis, the homes musical instructor. Davis recognized the talent in the young black boy. He taught him singing, percussion and, finally, the cornet. After being released at age fourteen, he worked selling papers, unloading boats, and selling coal from a cart. He didn't own an instrument at this time, but continued to listen to bands at clubs, Joe "King" Oliver was his favourite and the older man acted as a father to Louis, even giving him his first real cornet.

In 1919, Armstrong was so deft that he moved to St. Louis to join Fate Marables band. It was an exciting two years for young Louis because Marables band played on paddle wheelers owned by the Streckfus Mississippi Boat Lines. The young musician spent most of his time playing the river and playing to appreciative riverboat passengers.

Louis stayed with Marable until 1921 when he returned to New Orleans and played in Zutty Singleton's. He also played in parades with the Allen Brass Band, and on the bandstand with Papa Celestin's Tuxedo Orchestra, and the Silver Leaf Band. When King Oliver left the city in 1919 to go to Chicago, Louis took his place in Kid Ory's band from time to time. In 1922 Louis received a telegram from his mentor Joe Oliver, asking him to join his Creole Jazz Band. It was there that Armstrong fell in love with, and married, Lillian Hardin, Olivers pianist.

By the middle 1920s, Louis Armstrongs star was rapidly rising. He formed a band called the Hot Five and cut his first records for Okeh in 1925, including the famous rendition of St. Louis Blues with Bessie Smith. The Hot Five -- later the Hot Seven -- existed for three years, but never played a live date. Rather it was formed for recording purposes only. In the meantime, Armstrong continued playing in other bands.

For the next two years Armstrong played with Carroll Dickerson's Savoy Orchestra and with Clarence Jones' Orchestra in Chicago. By 1929 Louis was becoming a very big star. He toured with the show "Hot Chocolates" and appeared occasionally with the Luis Russell Orchestra, with Dave Peyton, and with Fletcher Henderson. Armstrong moved to Los Angeles in 1930 where he fronted a band called Louis Armstrong and his Sebastian New Cotton Club Orchestra. In 1931 he returned to Chicago and assembled his own band for touring purposes. In June of that year he returned to New Orleans for the first time since he left in 1922 to join King Oliver's Creole Jazz Band. Armstrong was greeted as a hero, but racism marred his return when a White radio announcer refused to mention Armstrong on the air and a free concert that Louis was going to give to the cities' African-American population was cancelled at the last minute. Louis and Lil also separated in 1931. In 1932 he returned to California, before leaving for England where he was a great success.

When he returned in 1935, he hired Joe Glaser as his manager. Glazer remained until Armstrongs death in 1971. By the end of World War II, swing music was on its way out and bands, again, became smaller. At a Town Hall concert in New York, he introduced the six piece group that he would use off and on for the rest of his life -- the Louis Armstrong Allstars They complimented his style perfectly and over the years featured exceptional musicians like Barney Bigard, Jack Teagarden, Sidney Big SidCatlett, vocalist Vilma Middleton, and Earl Hines. In the 1950s, Armstrong teamed up with other singers to make recordings -- Bing Crosby, Louis Jordan and Gary Crosby. Then in 1957, he made some tracks with Ella Fitzgerald, backed up by the Oscar Peterson trio. While working with Peterson, Armstrong took to opportunity to record his first big hit to feature his famous throaty voice -- Mack The Knife.

In 1968 he recorded another number one hit "What A Wonderful World". His popularity had now reached its zenith. Armstrong toured the world as an unofficial goodwill ambassador for America. Then his health began to fail him. For the last three years of his life he was in and out of the hospital, but he continued recording and performing until July 6, 1971 when he died in his sleep at home in Queens, New York. With Louis Armstrongs death, jazz had lost the world's greatest Jazz musician and a great master.

 

 

 

 

 

 

 

 

 

Live Music Magazine 2007

 

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