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LUTHER
ALLISON
Born
in Widener, Arkansas in 1939, Luther Allison (the 14th of 15 musically
gifted children) first connected to the blues at age ten, when he began
playing the diddley bow (a wire attached by nails to a wall with rocks for
bridges and a bottle to fret the wire). His family migrated to Chicago in
1951, and Luther began soaking in the sounds of Muddy Waters, Sonny Boy
Williamson, and Robert Nighthawk. He was classmates with Muddy Waters' son
and occasionally stopped in the Waters' house to watch the master
rehearse. It wasn't until he was 18 already in Chicago for seven years
that Luther began playing blues on a real guitar and
jamming with his brother Ollie's band.
By 1957, Allison had dropped out of school and formed a band called The
Rolling Stones. Unhappy with the name, they became The Four Jivers,
gigging all over the West Side of Chicago. Before long, Luther was jamming
with the West Side's best, including Magic Sam, Otis Rush, and Freddie
King, who encouraged Allison to sing. "That," said Allison,
"was my school." When King began to tour nationally in the early
1960s, Allison took over King's band as well as his weekly gigs at
Walton's Corner and became one of the hottest acts on the West Side. For
five years, Allison honed his craft. He moved to California for a year and
cut sides with fellow Chicagoans Shakey Jake Harris and Sunnyland Slim. He
cut his first two songs as a leader on the now-classic Delmark anthology,
Sweet Home Chicago, before releasing his first solo album (also on Delmark),
Love Me Mama , a record of hard-hitting blues that spoke to the growing
rock audience. But even before his debut album came out, Luther landed a
headlining spot at the influential Ann Arbor Blues Festival in 1969, and
went from relative unknown to major blues-rock attraction. "His
guitar riffs seemed to defy the possible," raved John Fishel, the
program director of the festival, who brought Allison back to perform at
the following two festivals.
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Allison
signed with Motown Records in 1972 as the label's only blues act. His
three records for the Gordy subsidiary led to numerous concert dates and
both national and international festival appearances, but domestically,
interest in the blues was fading. After finding instant acceptance in
Europe, he was convinced that Paris was the place to be. While he gained
superstar status in Europe and released a dozen European records, his
presence in the American music scene diminished.
With the release of Soul Fixin' Man in 1994, Allison's first domestic
album in 20 years, he announced his return. "Fever and chills
performances," said Guitar Player, "ferocious solos combine the
wisdom of a master storyteller with the elegance of B.B. King, the
elasticity of Buddy Guy, and the big sting of Albert King." After
three mammoth U.S. tours, America once again was paying attention to
Luther Allison. Allison followed up with Blue Streak, and the praise and
accolades poured in. "A sonic roar as soulful as his gospel-shout
vocals," raved the Washington Post. "Luther Allison's latest is
nothing short of a masterpiece by a master," reported Blues Revue.
Continued touring brought Allison before raving fans around the world, as
he brought his band from the San Francisco Blues Festival to New York's
Central Park Summerstage, with all stops in between. With Reckless,
Allison reached even greater heights. Guitar World said, "Reckless in
the best sense of the word, dancing on a razor's edge, remaining just this
side of out-of-control. Hard-driving, piercing West Side Chicago
single-note leads with a soul base and a rock edge."
Throughout it all, Allison delivered one show-stopping performance after
another. His boundless energy and fierce guitar attack combined to make
him a blues superstar who reached rock fans like no bluesmen since Freddie
King and Albert Collins. When the news broke that Allison had been
diagnosed with inoperable lung cancer in July of 1997, the blues world was
shocked. When he died just four weeks later, they were devastated. Without
a doubt, Luther Allison's death robbed music fans of one of the most
exciting and popular blues performers ever. With Live In Chicago, Allison
lives on, as he tears through the songs with the single-minded desire to
give everything he has to his audience. While listening to the album, fans
can immerse themselves in the explosive power of Luther Allison's music
and experience the redemptive force of his legendary performances.
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